Teric Darken's supernatural allegory is due to hit the shelves mid-July.
My latest cover commission from TreasureLine Books was Wickflicker by Teric Darken. While I can't claim this cover idea as my own (all that credit goes to Linda of TreasureLine) I executed the design.
Teric Darken's supernatural allegory is due to hit the shelves mid-July.
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DARKSPELL by Elizabeth Mueller. This was one of my easier covers. Elizabeth provided the picture of the boy, already manipulated to look older and darkened to add that mysterious, paranormal quality. With some suggestions from Linda, owner of TreasureLine, and further ideas from Elizabeth, this cover was finally born. Oh, and a special little factoid about this particular cover model: he is Elizabeth's 11-year old son, manipulated (by Elizabeth) to look like the 17-year old MC. How cool is that? A new cover has been unveiled for TreasureLine Publishing's eclectic list of titles, Whisper A Scream. This cover, as is usually the case, was a collaborative effort, using my ideas along with Linda Boulanger's (TreasureLine's owner) and Pete Turner's (the book's author). Without being able to work closely with publisher and author, my covers couldn't be as good as they are.
I've been asked to share a glimpse into the making of a book cover. Here's a brief overview of what I put into one particular cover. Every cover is made up of layers. How you order those layers determines what shows and what doesn't. Makes sense, right? You can also use transparencies to make lower layers show through upper layers. These layers are made up of pictures (photos or drawings), fonts, and some effects will actually have their own layer(s). As an example, I've selected Linda Boulanger's cover for her sweet contemporary romance novella, Arms of an Angel. You can see here all the layers used in this cover: That's right, there's only four layers involved in this particular cover (for the front, anyway). The font layers could have been put into one layer but the effect I used on the author name I didn't want applied to the title. Thus, they needed to be in separate layers. You can see the first thing I did was mirror the woman. Very simple change. Next, I positioned the cloud pic beneath the woman. Now, this is where transparencies come in. Obviously, if I simply put the cloud pic underneath, the woman would completely hide it. We want it to seep through. So, I changed her transparency to 56%, allowing the clouds to shine through just enough to give that otherworldly, heavenly feel. This is what I got: Then I added the fonts. Finding the right ones can be the most time-consuming part of a book cover design. NEVER UNDERESTIMATE THE IMPORTANCE OF THE COVER'S FONT. Font choice and placement have as much to do with a great cover as the graphics themselves. Fancy fonts aren't always the best way to go either. You can see here that "Angel" is really the only fancy font I used. There's a reason for that. I wanted to draw attention to the word Angel, to match the heavenly aspect of the cover graphic itself. At the same time, the other words are by no means "lost" in the rest of the design; rather, they complement each other. The design becomes a whole picture, rather than many layers all smashed together. That's it for this blog post. I hope it helped you understand a little better what's involved in a great cover. I welcome questions. Thank you for stopping by! Oh my. Today, I'm all about Dreamstime. I spend a lot of time there anyway, but this morning I bought a one-week subscription to help build up my stock of photos for cover use.
A subscription allows the purchaser to download up to 10 photos per day in any size they prefer. This is fabulous for me, who has the means to shrink photos. I can download the largest size offered and then cut, shrink, or expand as needed. Fabulous! To check out Dreamstime, head over to their free stuff (click HERE), just to get yourself started. This is a great resource if you just want/need a pic for a blog post or article. Registration is required but it's free. Have a lovely, creative day! Just for fun, I created these covers. They're for a five-part series of short stories...that don't exist. So why did I create them?
I started with the cover model. She is Heather Heffken of Hedda Cothing, fashion designer and all-around fun person. (She's also my husband's cousin.) She let me play with the photos from a recent photo shoot. The first cover is based entirely on what I read in her expression. The following covers are what developed from there, matching shots/expressions with the titles that popped into my head. Will I write the stories? Maybe. I'm seriously considering it. If I do, they won't be about literal angels. S.B. Niccum recently ordered a bookmark design to help promote her new release, Veiled. This is the design I whipped up for her, front and back, using the same elements I used in her cover. Veiled is due for release from TreasureLine Books. Check out www.treasurelinebooks.com for an amazing selection of genres and authors. For the duration of 2011, every cover order will include a free matching 120x240 button, one that can be used on websites and blogs, in link exchanges, or as a profile pic for various social networking sites. Examples of such buttons are below (smaller than actual size).
*Free button will match the book cover, not the author's site or body of work. I reserve the right to rescind this offer at any time. Please leave questions in a comment on this post. :o) |
Jaimey/
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